The Movie Version...

Now that you have seen the movie version of The Crucible, write a brief review of the movie.  Be sure to include parts that you liked and why you liked them, as well as descriptions of the parts you didn't like and why you didn't like them.

Figurative Language: Metaphor & Hyperbole

List one example from the play of each type of figurative language:

1. Metaphor
2. Hyperbole

Hints:

• Review the definitions of the terms above by clicking on the hyperlinks.
• Look in the stage directions at the beginning of Act II (listed below) for an example of metaphor.  
• Look in the dialogue between John and Elizabeth below for an example of hyperbole.

The common room of Proctor’s house, eight days later.
At the right is a door opening on the fields outside. A fireplace is at the left, and behind it a stairway leading upstairs. It is the low, dark, and rather long living room of the time. As the curtain rises, the room is empty. From above, Elizabeth is heard softly singing to the children. Presently the door opens and John Proctor enters, carrying his gun. He glances about the room as he comes toward the fireplace, then halts for an instant as he hears her singing. He continues on to the fireplace, leans the gun against the wall as he swings a pot out of the fire and smells it. Then he lifts out the ladle and tastes. He is not quite pleased. He reaches to a cupboard, takes a pinch of salt, and drops it into the pot. As he is tasting again, her footsteps are heard on the stair. He swings the pot into the fireplace and goes to a basin and washes his hands and face, Elizabeth enters.



Elizabeth: What keeps you so late? It’s almost dark.
Proctor: I were planting far out to the forest edge.
Elizabeth: Oh, you’re done then.
Proctor: Aye, the farm is seeded. The boys asleep?
Elizabeth: They will be soon.
And she goes to the fireplace, proceeds to ladle up stew in a dish.
Proctor: Pray now for a fair summer.
Elizabeth: Aye.
Proctor: Are you well today?
Elizabeth: I am.
She brings the plate to the table, and, indicating the food:. It is a rabbit.
Proctor, going to the table: Oh, is it! In Jonathan’s trap?
Elizabeth: No, she walked into the house this afternoon; I found her sittin’ in the corner like she come to visit.
Proctor: Oh, that’s a good sign walkin’ in.
Elizabeth: Pray God. It hurt my heart to strip her, poor rabbit.
She sits and watches him taste it.
Proctor: It’s well seasoned.
Elizabeth, blushing with pleasure: I took great care. She’s tender?
Proctor: Aye.
He eats. She watches him. 
I think we’ll see green fields soon. It’s warm as blood beneath the clods.
Elizabeth: That’s well.
Proctor eats, then looks up.
Proctor: If the crop is good I’ll buy George Jacob’s heifer. How would that please you?
Elizabeth: Aye, it would.
Proctor, with a grin: I mean to please you, Elizabeth.
Elizabeth - it is hard to say: I know it, John.
He gets up, goes to her, kisses her. She receives it. With a certain disappointment, he returns to the table.
Proctor, as gently as he can: Cider?
Elizabeth, with a sense of reprimanding herself for having forgot: Aye!
She gets up and goes and pours a glass for him. He now arches his back.
Proctor: This farm’s a continent when you go foot by foot droppin’ seeds in it.
Elizabeth, coming with the cider: It must be.
Proctor, drinks a long draught, then, putting the glass down: You ought to bring some flowers in the house.
Elizabeth: Oh! I forgot! I will tomorrow.
Proctor: It’s winter in here yet. On Sunday let you come with me, and we’ll walk the farm together; I never see such a load of flowers on the earth.
With good feeling he goes and looks up at the sky through the open doorway. 
Lilacs have a purple smell. Lilac is the smell of nightfall, I think. Massachusetts is a beauty in the spring!
Elizabeth: Aye, it is.

Witches don't need lawyers...

Danforth claims that witches don't need lawyers, because witchcraft is an invisible crime:

Hale: Excellency, I have signed seventy-two death warrants; I am a minister of the Lord, and I dare not take a life without there be a proof so immaculate no slightest qualm of conscience may doubt it.

Danforth: Mr. Hale, you surely do not doubt my justice.

Hale: I have this morning signed away the soul of Rebecca

Nurse, Your Honor. I’ll not conceal it, my hand shakes yet as with a wound! I pray you, sir, this argument let lawyers present to you.

Danforth: Mr. Hale, believe me; for a man of such terrible learning you are most bewildered - I hope you will forgive me. I have been thirty-two year at the bar, sir, and I should be con-founded were I called upon to defend these people. Let you consider, now - To Proctor and the others: And I bid you all do likewise. In an ordinary crime, how does one defend the accused? One calls up witnesses to prove his innocence. But witchcraft is ipso facto, on its face and by its nature, an invisible crime, is it not? Therefore, who may possibly be witness to it? The witch and the victim. None other. Now we cannot hope the witch will accuse herself; granted? Therefore, we must rely upon her victims - and they do testify, the children certainly do testify. As for the witches, none will deny that we are most eager for all their confessions. Therefore, what is left for a lawyer to bring out? I think I have made my point. Have I not?

Hale: But this child claims the girls are not truthful, and if they are not -

Danforth: That is precisely what I am about to consider, sir. What more may you ask of me? Unless you doubt my probity?

Hale, defeated: I surely do not, sir. Let you consider it, then.

Explain Danforth's argument in your own words.  Do you think it is valid?  If not, how would you convince Danforth otherwise?

Wheels within wheels...Act I

What does Mrs. Putnam mean when she says, "You think it God's work you should never lose a child, nor grandchild either, and I bury all but one?  There are wheels within wheels in this village, and fires within fires!" (lines 569-572).